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THE PRESIDENTS CLUB: Inside the World's Most Exclusive Fraternity
Saturday, September 24, 2011
Sunday, August 7, 2011
Review-a-Day for Thu, Jul 28: Inside Scientology: The Story of America's Most Secretive Religion
by Janet Reitman A review by Anne Saker
You've got to hand it to L. Ron Hubbard. He might have been relegated to the minor ranks of science fiction writers except that he figured out that spiritual seekers in post-nuclear America craved a personal understanding of the self and the universe -- and they would gladly pay for that knowledge again and again and again and again ...
Which is the delightful foundation of Janet Reitman's compelling, rich and courageous explanation of Hubbard's contribution to the 20th century, the religion called Scientology, now in its sixth decade. Yes, there are third-generation Scientologists.
Reitman got onto the subject with an insightful 2007 Rolling Stone story when the religion enjoyed renewed attention from Tom Cruise jumping on Oprah's couch. For her book, she interviewed more than 100 people across the Scientology spectrum -- members, ex-members, celebrities, ex-celebrities, the devout and the militantly opposed.
She takes pains to detail how she crafted the narrative to be fair, and what comes through this prodigious reporting effort is a really good read about the birth of a strange and yet all-American institution.
The Hubbard who Reitman discovers is just the kind of narcissist who is inclined to see himself great enough to create a religion: a marketing genius and a fanciful storyteller, particularly about his own story, which comes with its own embellishments.
In later years, as the religion established itself and expanded like McDonald's (an overt model for the religion's managers), the role of Hubbard "took on more and more characteristics of a messiah. As the 'Source' of all of Scientology's teachings, Hubbard was decreed the creator of every bit of Scientology scripture, which was considered infallible."
Hubbard's death in 1986 led to the rise of an acolyte, David Miscavige, who joined Scientology as a boy and now at 19 ran the show. By then, franchise churches all over the world pulled in millions of dollars from adherents paying for repeated "auditings" to walk the Bridge To Total Freedom, the goal of which was to "go clear."
Woven into Reitman's accounting are significant subplots. The heartbreaking story of Lisa McPherson delivers the personal toll. She gave all her money and many years to Scientology, working at the church's mega-headquarters in Clearwater, Fla., but was losing her mind. Church workers performed what was essentially faith-healing, but McPherson died. Criminal charges against church officials were filed then dropped.
Reitman then goes into great and entertaining details about the church's longstanding giddiness over celebrities, especially the hots it's always had for Top Gun: "Cruise's strategic value to the church was so crucial that nothing was too good for the actor. Miscavige even created a special award for him ... which he presented to Cruise."
Reitman also considers the future, interviewing a host of teenage and young-adult Scientologists who believe that the excesses of the past are but one solid auditing away, and the church can only grow because it's got the best of intentions: to help the whole world go clear.
Inside Scientology is an impressive high-wire act producing a scrupulous history of how one man reframed the universe and how a lot of people paid for the privilege of agreeing with him.
The Oregonian is the online source for comprehensive coverage of the Northwest literary scene. Its daily books report includes news, reviews, and poetry, as well as essays and opinions from local authors. Plus: The paper's award-winning books section, published on Sundays, strips the buzz from national bestsellers and directs readers to little-known regional gems in a concise package.
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Friday, July 22, 2011
Find the great outdoors inside these kids' books
Like a tamer 'Wild Things'The Woods, written and illustrated by Paul Hoppe (Chronicle, 36 pp., $16.99, for ages 4-8, * * * out of four): In a gentle variation on Maurice Sendak's classic adventure/nightmare Where the Wild Things Are, the young unnamed narrator of The Woods can't find his favorite stuffed bunny at bedtime. That leads him into the woods, which seem to sprout right in his bedroom. The brave narrator encounters bears, dragons and monsters, although none, it turns out, should scare even the youngest readers. Paul Hoppe's text and watercolors make for comforting bedtime reading.
Finding nature in the city
My Baby Blue Jays, by John Berendt (Viking, 32 pp., $16.99, ages 5-8, * * *): Wildlife adventures can be found anywhere, even in Manhattan. Best-selling author John Berendt (Midnight in the Garden of Good and Evil) spent a spring photographing one of nature's miracles on his 86th Street balcony, where two blue jays were building a nest. It was soon home to three baby blue jays, which learn to fly the hard way and seem to be unperturbed by their personal photographer. Nature (and Disney movies) can be cruel, but Berendt's blue jays find nothing but blue skies in the big city.
Covering historical bases
First Pitch: How Baseball Began, by John Thorn (Beach Ball Books, 40 pp., $19.99 hardcover, 14.99 paperback, ages 9 and up, * * *): Young baseball fans ready for revisionist history can learn much from John Thorn, the official historian of Major League Baseball, who writes, "Saying Abner Doubleday invented baseball is as ridiculous as saying the moon is made of green cheese." In an illustrated, kid-friendly episodic history, Thorn traces the evolution (rather than creation) of baseball and celebrates unsung pioneers such as Doc Adams, who, in about 1850, invented the idea of shortstops, and Octavius V. Catto, a 19th-century combination of Jackie Robinson and Martin Luther King Jr.
Rough seas for this teen
Sharks & Boys, by Kristen Tracy (Hyperion, 264 pp., $16.99, ages 12-18, * * 1/2): At 16, Enid thinks she has problems: Her mom and philandering dad are in couples therapy, and her boyfriend wants a "break," which, she hopes, doesn't mean a "breakup." Driven by suspicion and jealousy, Enid ends up as a stowaway on what was supposed to be an all-boy sailing adventure. A storm turns it into a high school version of Survivor, without the cameras but with a lot more reality. The sitcom-like dialogue becomes deadly serious as Enid learns, "Life is not fair. This world will swallow anyone. Even if you know how to swim."