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Showing posts with label American. Show all posts
Showing posts with label American. Show all posts

Wednesday, July 3, 2013

FATE OF THE STATES: The New Geography of American Prosperity

Thursday, May 9, 2013

THE DISPENSABLE NATION: American Foreign Policy in Retreat

Sunday, March 24, 2013

THE LAST LINE OF DEFENSE: The New Fight for American Liberty

Thursday, August 16, 2012

THE LAST AMERICAN DIPLOMAT: John D. Negroponte and the Changing Face of American Diplomacy

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Monday, July 2, 2012

THE OBAMIANS: The Struggle Inside the White House to Redefine American Power

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Saturday, June 30, 2012

PRAIRIE FEVER: British Aristocrats in the American West 1830-1890

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Sunday, June 24, 2012

THE MAN WHO CHANGED THE WAY WE EAT: Craig Claiborne and the American Food Renaissance

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Saturday, May 12, 2012

IT'S EVEN WORSE THAN IT LOOKS: How the American Constitutional System Collided With the New Politics of Extremism

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Saturday, March 3, 2012

Immigrant becomes ‘Good American’

The immigrant experience as seen through the eyes of those who settled in America's heartland is the honest and delightful story Alex George tells in A Good American.

Most Americans are immigrants or descended from them. This universal experience grounds George's debut in sentiment and nostalgia relatable to many.

A Good American starts in 1904 in Germany, where Frederick Meisenheimer and Jette Furste, a lovelorn couple, decide to flee to New York after Jette is disowned by her family for getting pregnant.

They hop the first steamer not realizing it's headed to New Orleans. From the coastal Louisiana city, they head north to Missouri, where Frederick hopes to find work.

They settle in Beatrice, Mo., where generations of the Meisenheimer family will flourish and fulfill the proverbial American dream.

Like most immigrants of that time, Frederick turned his back on Europe and "looked ahead into the bright lights of the young century."

Those lights shine brightly on four generations of his family in George's novel.

Like all families, they have memorable characters — Frederick's grandsons, who form a barbershop quartet; grandson James, inspired by P.G. Wodehouse, who yearns to be a writer; his aunt Rosa, who's a chess whiz.

What makes this epic and lyrical novel's characters so compelling is not so much their uniqueness as the ordinariness of their lives. And through good times and bad, we watch as they walk through history. World War I, Prohibition, the Great Depression and World War II come alive as does their All-American yearning to pursue a life abundant with happiness.

Music is a hallmark of this novel, too — through the songs coming out of the radio, to the ballads and blues sung in the family restaurant, to the arias Frederick's son Joseph sings to woo his wife. Do you hear me, Broadway? This story would make a delightful musical.

Readers also will be moved by this novelist's personal story. George was born in Great Britain but now lives in Missouri. Sometime soon, he'll be sworn in as a citizen of the United States of America.


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Tuesday, February 28, 2012

BRAVE DRAGONS: A Chinese Basketball Team, an American Coach, and Two Cultures Clashing

BRAVE DRAGONS: A Chinese Basketball Team, an American Coach, and Two Cultures Clashing - Washington Post Book Reviews « ArcaMax Publishing  ArcaMax News & Entertainment by Email Home Topics Automotive Business Current News Entertainment Games Gardening Health Home & Consumer Knowledge Life Advice Parents Pets Politics Recipes Religion & Spirituality Science & Technology Senior Living Sports Travel & Leisure Weather Women News Columns Comics Videos   Washington Post Book Reviews / Entertainment / ArcaMax LOGIN | REGISTER Subscribe to Washington Post Book Reviews newsletter ( Privacy Policy )

Thursday, January 19, 2012

Review-a-Day for Thu, Sep 22: Driving Home: An American Journey

by Jonathan Raban A review by Debra Gwartney

Jonathan Raban's new collection of essays, Driving Home: An American Journey, could easily have been titled "The Jonathan Raban Reader," as the brisk, smartly crafted pieces are just that representative of Raban's long and illustrative writing life. He is the author of 12 other books, fiction and nonfiction, and won the National Book Critics Circle Award among other prizes. The 44 (yes, 44) selections in this book, written over a near two-decade stretch, are largely culled from the Guardian and the New York Review of Books, with others published in such revered pages as the Atlantic Monthly, Granta, Esquire, Outside and Playboy. By combining them in one volume, Raban offers a lively stew of topics, themes that most interest the British citizen turned Seattleite, subjects that get him most excited and riled.

Before we enter the territory of excited and riled, though, Raban first introduces himself -- in one of the most enchanting essays in the book and its first -- as a devoted reader from a young age. A reader who becomes a writer, hugely influenced as a young man by author William Empson who, in Raban's words, taught him to "slow down, to read at the level of the word, the phrase, the line; to listen, savor, question, ponder, think."

We are invited to do the same with Driving Home: to view aspects of American life past, present and future -- with a particular focus on the West -- from this outsider's vantage. To listen, savor, question, ponder, think. Readers have long been drawn to Raban for the elegance of his language and eloquence of his thought -- as well as a wry sense of humor on par with Susan Orlean's; precise research a la John McPhee -- and can expect to find the same in these essays.

"Nowhere do waves break with more reliable splendor than on the melancholy coast of Oregon, where the great Pacific wave trains come to a spectacular end on beaches of pulverized green sand," he writes in "The Waves." "Everything about the place is somber -- the crumbling basalt cliffs, the dripping conifers, the slanting gray cathedral light."

Along with such rich imagery, Raban dishes up an entertaining cast of characters -- poet Philip Larkin, a Seattle woman who visited heaven and then returned to Earth, delightful Montana homesteader Percy Wollaston, less-than-delightful Sarah Palin, to name a few -- though he's at his best when he's on the sea with the likes of George Vancouver, Sir Ernest Shackleton and Sir Francis Chichester (knighted in the 1960s for his solo circumnavigation of the world). He's also at his best when he's roaming the edges of the Columbia River, trying to make real sense out of "the quintessential American experience to arrive in a wild and inhospitable place, bend raw nature to one's own advantage, and make it home."

Some of these pieces, particularly the title essay, Driving Home, feel a bit stale -- they certainly captured a strong sense of their time at the time, but that time (the tech boom in Seattle, the vibrant air of hope around Obama) has passed. And too often the reader is confronted with yet another redundant statement about the West, the qualities that make Seattle distinct, for instance, or about Vancouver's shift from "dizzy elation to sullen melancholy," the deeper he sailed into narrow Pacific inlets.

Still, Raban's voice rings fresh and clear through great majority of this work, and the 500-page book is well worth picking up if only to read the gems, among them the astonishing "Indian Country," the most timeless and revealing essay here, and the only one of the bunch, apparently, that comes to us new, without having been previously published.

The Oregonian The Oregonian is the online source for comprehensive coverage of the Northwest literary scene. Its daily books report includes news, reviews, and poetry, as well as essays and opinions from local authors.

Plus: The paper's award-winning books section, published on Sundays, strips the buzz from national bestsellers and directs readers to little-known regional gems in a concise package.

New subscribers can receive four weeks of home delivery free as part of a trial offer.

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View the original article here

Tuesday, January 3, 2012

RETIREMENT HEIST: How Companies Plunder and Profit From the Nest Eggs of American Workers

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Monday, October 17, 2011

Review-a-Day for Thu, Sep 22: Driving Home: An American Journey

by Jonathan Raban A review by Debra Gwartney

Jonathan Raban's new collection of essays, Driving Home: An American Journey, could easily have been titled "The Jonathan Raban Reader," as the brisk, smartly crafted pieces are just that representative of Raban's long and illustrative writing life. He is the author of 12 other books, fiction and nonfiction, and won the National Book Critics Circle Award among other prizes. The 44 (yes, 44) selections in this book, written over a near two-decade stretch, are largely culled from the Guardian and the New York Review of Books, with others published in such revered pages as the Atlantic Monthly, Granta, Esquire, Outside and Playboy. By combining them in one volume, Raban offers a lively stew of topics, themes that most interest the British citizen turned Seattleite, subjects that get him most excited and riled.

Before we enter the territory of excited and riled, though, Raban first introduces himself -- in one of the most enchanting essays in the book and its first -- as a devoted reader from a young age. A reader who becomes a writer, hugely influenced as a young man by author William Empson who, in Raban's words, taught him to "slow down, to read at the level of the word, the phrase, the line; to listen, savor, question, ponder, think."

We are invited to do the same with Driving Home: to view aspects of American life past, present and future -- with a particular focus on the West -- from this outsider's vantage. To listen, savor, question, ponder, think. Readers have long been drawn to Raban for the elegance of his language and eloquence of his thought -- as well as a wry sense of humor on par with Susan Orlean's; precise research a la John McPhee -- and can expect to find the same in these essays.

"Nowhere do waves break with more reliable splendor than on the melancholy coast of Oregon, where the great Pacific wave trains come to a spectacular end on beaches of pulverized green sand," he writes in "The Waves." "Everything about the place is somber -- the crumbling basalt cliffs, the dripping conifers, the slanting gray cathedral light."

Along with such rich imagery, Raban dishes up an entertaining cast of characters -- poet Philip Larkin, a Seattle woman who visited heaven and then returned to Earth, delightful Montana homesteader Percy Wollaston, less-than-delightful Sarah Palin, to name a few -- though he's at his best when he's on the sea with the likes of George Vancouver, Sir Ernest Shackleton and Sir Francis Chichester (knighted in the 1960s for his solo circumnavigation of the world). He's also at his best when he's roaming the edges of the Columbia River, trying to make real sense out of "the quintessential American experience to arrive in a wild and inhospitable place, bend raw nature to one's own advantage, and make it home."

Some of these pieces, particularly the title essay, Driving Home, feel a bit stale -- they certainly captured a strong sense of their time at the time, but that time (the tech boom in Seattle, the vibrant air of hope around Obama) has passed. And too often the reader is confronted with yet another redundant statement about the West, the qualities that make Seattle distinct, for instance, or about Vancouver's shift from "dizzy elation to sullen melancholy," the deeper he sailed into narrow Pacific inlets.

Still, Raban's voice rings fresh and clear through great majority of this work, and the 500-page book is well worth picking up if only to read the gems, among them the astonishing "Indian Country," the most timeless and revealing essay here, and the only one of the bunch, apparently, that comes to us new, without having been previously published.

The Oregonian The Oregonian is the online source for comprehensive coverage of the Northwest literary scene. Its daily books report includes news, reviews, and poetry, as well as essays and opinions from local authors.

Plus: The paper's award-winning books section, published on Sundays, strips the buzz from national bestsellers and directs readers to little-known regional gems in a concise package.

New subscribers can receive four weeks of home delivery free as part of a trial offer.

spacer


View the original article here

Saturday, July 16, 2011

Review-a-Day for Thu, Jun 23: The President and the Assassin: McKinley, Terror, and Empire at the Dawn of the American Century

by Scott Miller A review by Elinor Langer

Even without the intrinsic draw of the 1901 presidential assassination that shapes its pages, Scott Miller's The President and the Assassin: McKinley, Terror, and Empire at the Dawn of the American Century would be absorbing reading. A former reporter for the Wall Street Journal with a flair for presenting complicated issues and personalities as an intelligible whole, Miller examines the social, economic and political forces that underlay the transformation of the U.S. after the Civil War from a feeble newcomer in world affairs to the global power we know today in a way that keeps you learning and turning pages at the same time. Rewarding as it is to be able to grasp at last such late 19th-century mysteries as the monetary debates that have befuddled college students ever since, what makes the book compelling is neither the narrative nor the explanations but the sense of familiarity that pervades it all. Indeed, so many of the circumstances and events of the earlier time have parallels in our own that the experience of reading it is practically eerie.

The key to the similarities between then and now lies in the "historic shift in the role of business in American politics" in the 1896 election. Rich Democrats supported Republican William McKinley, corporations made direct contributions for the first time and millionaires marched in the streets of New York. That was all to defeat populist orator William Jennings Bryan, who proposed to take the U.S. off the gold standard to provide the farmers and workers who were his followers with more money. And money they badly needed.

"For every tycoon smoking cigars wrapped in hundred-dollar bills ... there were tens of thousands of ... workers for whom life was simply a battle for existence," Miller writes. In this period of huge industrial expansion, it was not unemployment, but wages too low to provide even a fully-employed laborer with enough income to feed a family that was to blame. "'I don't live. I am literally starving,'" a Cincinnati cigar maker told an interviewer who asked how he supported his wife and three children on $5 per week. The same interests that benefited from the unequal distribution of wealth at home also benefited from the acquisition of territory abroad, as the U.S. took over from defeated Spain its former colonies, including Cuba and the Philippines, along with the bitter insurgents who had launched the anti-imperial struggles in the first place.

But it is in the details as much as in the larger framework that some of the most striking echoes seem to lie.

It is impossible to read about the strong-arming corporate-guarding Pinkertons of the past without the strong-arming corporate-guarding Blackwaters of the present springing spontaneously to mind. Anarchist theorist Johann Most's handbook on explosives, The Science of Revolutionary Warfare, is right at home on the Internet. Emma Goldman's lover Alexander Berkman was a Russian anarchist and not a Muslim terrorist, but his doubly-failed plan to blow himself up with nitroglycerine after assassinating Pennsylvania steel magnate Henry Clay Frick reads like today's suicide bomber headlines. The hunt for Philippine guerilla leader Emilio Aguinaldo who "would time and again slip through [the] fingers" of the Americans pursuing him was led by the very general who had led the hunt for Apache Chief Geronimo, the recent code name for Osama bin Laden. That water torture was first used by American soldiers to coerce information from Aguinaldo's followers makes it all the more chilling.

Historical analogies are both irresistible and inexact, and Miller has wisely chosen to let them speak for themselves, but he has made his point. The fatal encounter of McKinley and friendless anarchist Leon Czolgosz at the Buffalo, N.Y., fairgrounds was a singular occurrence, but it was embedded in the life of its times. What readers take away from this lucid and disturbing book will inevitably vary with what they bring to it in the first place, but one possibility is, "The rich get richer and the poor get poorer -- and sometimes the poor even get mad."

The Oregonian The Oregonian is the online source for comprehensive coverage of the Northwest literary scene. Its daily books report includes news, reviews, and poetry, as well as essays and opinions from local authors.

Plus: The paper's award-winning books section, published on Sundays, strips the buzz from national bestsellers and directs readers to little-known regional gems in a concise package.

New subscribers can receive four weeks of home delivery free as part of a trial offer.

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View the original article here

Wednesday, July 13, 2011

THE DEAL FROM HELL: How Moguls and Wall Street Plundered Great American Newspapers

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Friday, July 8, 2011

THE STORY OF CHARLOTTE'S WEB: E.B. White's Eccentric Life in Nature and the Birth of an American Classic

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Sunday, June 19, 2011

THE AMERICAN HEIRESS

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Sunday, June 5, 2011

Review-a-Day for Fri, May 27: Reading Obama: Dreams, Hope, and the American Political Tradition

by James T. Kloppenberg A review by David Greenberg

Barack Obama, though he is evidently thoughtful and intellectually capable, is not usually considered a man of ideas. In contrast to a policy wonk such as Bill Clinton or an ideological standard-bearer such as Ronald Reagan, Obama has never even brandished a distinct political philosophy. He sought the White House not so much on a platform as on a sensibility -- a spirit of change, a promise of redemption, a song of hope.

That sensibility was largely responsible for the almost otherworldly appeal that Obama exhibited, in the eyes of countless devotees, during the campaign in 2008. As much as any group, intellectuals rallied to Obama's candidacy with a zeal not seen in presidential campaigns since an earlier generation of students, horn-rimmed and tweed-coated, cheered the parlor poet Eugene McCarthy, or even the noble and quixotic sallying of Adlai Stevenson, with his famous varsity wit. The creative class' romance with Obama even recalled Irving Howe's explanation of Stevenson's allure: the so-called eggheads of the 1950s, he wrote in "Stevenson and the Intellectuals," were "tempted to abandon politics entirely yet felt themselves forced -- indeed, trapped -- into a lukewarm, gingerly participation....And here was this remarkable man from Illinois, so charming and cultivated...come to represent and speak for them. Roosevelt might be admired for things he had done, Stevenson was to be admired and identified with simply because of what he was." So the roles of the politician and the intellectual had been conflated, or perhaps confused.

To be sure, Obama showed a strategic savvy and political dexterity that Stevenson never did. Still, the lofty regard for Obama -- especially the intellectual regard -- has been extraordinary. Along with his historic achievement in becoming our first black president, it was this esteem that seems to have generated the large literature about him, by journalists (David Remnick's The Bridge, Jonathan Alter's The Promise) and scholars (Tom Sugrue's Not Even Past, William Jelani Cobb's The Substance of Hope). Of this latter group, none has gotten more attention than James T. Kloppenberg's book.

Reading Obama is a welcome addition, not least because it is the first book to try to tease out a coherent political philosophy from the president. Kloppenberg, a prominent intellectual historian at Harvard, does this not by analyzing Obama's pre-presidential record or his campaign rhetoric or his policies but -- like a senior professor sizing up a tenure aspirant -- by reviewing Obama's published dossier. The chief works, of course, are Obama's best-selling books -- his semi-fictional memoir, Dreams from My Father, and his campaign trial balloon, The Audacity of Hope; but Kloppenberg also draws on a passel of other writings and, most originally, on the issues of the Harvard Law Review over which Obama presided as editor in 1990.

From these writings, Kloppenberg concludes that Obama, despite appearances, does have a clear political philosophy. Kloppenberg calls it pragmatism. By pragmatism, Kloppenberg explains, he does not mean "vulgar pragmatism," which he defines as "an instinctive hankering for what is possible in the short term" -- a trait, it is worth noting, that all successful politicians need. When they possess it to the exclusion or betrayal of loftier principles -- as some have, from Alcibiades to Nixon -- we call this trait opportunism, expediency, spinelessness, or careerism. What Kloppenberg finds in Obama's writing, however, is emphatically not opportunism, but something more explicitly philosophical. He believes that Barack Obama belongs in the venerable strain of American thought that runs from William James and John Dewey to Richard Rorty and his disciples. This pragmatism deems ideas as valuable for their real-world utility and consequences: true ideas, it holds, are those that work. It rests on a commitment to experiment, a frank acknowledgment of human fallibility, an impatience with the search for a grander truth, a rejection of a priori absolutes.

Pragmatism is a subject close to Kloppenberg's heart, and his expertise. Among his many learned writings on the subject are the landmark Uncertain Victory: Social Democracy and Progressivism in European and American Thought, 1870-1920, which appeared in 1986, and "Pragmatism: An Old Name for Some New Ways of Thinking?," a brilliant article in the Journal of American History in 1996, many of whose ideas resurface in his new work. With his breadth of knowledge and his simplicity of prose, Kloppenberg is a fine guide to these ideas. And lest we suspect that he is merely projecting a set of ideas he esteems onto a politician he admires -- Obama, after all, has described himself as "a blank screen on which people of vastly different political stripes project their own views" -- Kloppenberg is careful to elucidate the reasons for the happy congruence.

Obama is a product, he explains, of elite universities, having attended Occidental, Columbia, and Harvard Law School in the 1980s and early 1990s. In these years the academy was in intellectual ferment, and in many disciplines -- literature and history, politics and law -- pragmatism was enjoying a revival. In earlier decades, pragmatism, with its radical tolerance of uncertainty, had been on the outs intellectually; the times called for vital-center liberalism, a robust citadel of ideological conviction to gird the nation in its war of ideas against the fanaticisms of left and right. But as the Cold War urgency ebbed and liberalism came under fire, new ideas challenged the old axioms. Historians such as Gordon Wood directed scholars' attention to the traditions of civic republicanism, alongside Lockean liberalism, in American political culture. Legal scholars such as Frank Michelman and Cass Sunstein stressed the importance of republican values such as civic participation. Thomas Kuhn and Clifford Geertz influenced practically everyone with their arguments that meaning resides within historical and cultural contexts, not in timeless absolutes.

Philosophically speaking, these newly current ideas of communitarianism and civic republicanism are not precisely the same thing as pragmatism, and readers may be uneasy with the way that Kloppenberg folds them together. Yet in practice (and practice, after all, is the pragmatist's standard), these intellectual developments occurred simultaneously and their leading thinkers influenced one another. Kloppenberg is thus able to pull together intellectual shifts in myriad fields to fashion a creative and largely plausible narrative of late twentieth-century intellectual life writ large. Indeed, his portrait of academic thinking in this period may well be his book's signal contribution. Reading Obama may be seen as a companion to Daniel Rodgers's recent book Age of Fracture, which also highlights the erosion in the 1980s of confidence in philosophical absolutes and in the shared assumptions that once prevailed among disparate scholars.

Kloppenberg links his history of pragmatism to Obama by noting that precisely as the academy experienced its pragmatic revival, Obama came along as part of a generation of students seeking an alternative to Reaganite conservatism -- and also hungry for something more fortifying than a ubiquitous but seemingly etiolated rights-based liberalism. Unfortunately Kloppenberg lacks a strong evidentiary base for his speculations, since we have only Obama's limited writings about his educational experience; but his surmise is not terribly controversial. With a temperament given to deliberation and conciliation, Kloppenberg suggests, Obama took naturally to the ideas he was hearing in class and absorbing from the campus culture.

As a first pass at distilling and ordering Obama's influences as a young man, Reading Obama makes a compelling case for the importance of pragmatism in the intellectual formation of the future president. But finally the case does not persuade. The connection between Obama's significance and the ideas that Kloppenberg brings together under pragmatism's banner is too loose. Not all Ivy League-bred politicians of Obama's vintage bear the imprint of pragmatism. (Consider John Roberts.) Moreover, the first wave of elected officials to bring communitarian and republican ideas into the political realm belonged not to Obama and his post-1960s cohort but to the Baby Boom: Bill Bradley, Al Gore, and Bill Clinton were the ones who, striving in the 1980s to revive liberalism in the face of its declining electoral viability, broke with the doctrines of the postwar left by stressing -- much like Kloppenberg's neo-pragmatists -- responsibilities as well as rights, the community as well the individual, and the need to adapt to new historical conditions.

If pragmatism here explains too little in Kloppenberg's effort to understand Obama, it may in other ways be getting pressed into explaining too much. An ear as finely tuned as Kloppenberg's to the great works of American thought will hear resonances that are going to elude most readers. It is entirely plausible for Kloppenberg to find in Dreams from My Father the influence to Ralph Ellison's Invisible Man. But this is only one of many echoes of canonical pragmatist works that he detects in Obama's published oeuvre. The assertion in The Audacity of Hope, for example, that "what binds us together is greater than what drives us apart," Kloppenberg says, "echoes the almost identical words that [Jane] Addams wrote to explain the settlement house movement in her memoir Twenty Years at Hull House": "The things which make men alike," Addams wrote, "are finer and better than the things that keep apart." (Myself, I hear Bill Clinton: "There is nothing wrong with America that cannot be cured by what is right with America.") When Obama urges his readers to "recognize the overlapping values that both religious and secular people share," he "comes close to paraphrasing the language of Political Liberalism," John Rawls's attempt to incorporate the ideas of his communitarian critics into his philosophy. And so on.

Readers who hesitate to credit Obama with such a masterly and unobtrusive command of the history of American ideas and letters may indeed wonder if Kloppenberg's judgments are not shaped in part by his admiration for his subject. Reading Obama brims with an enthusiasm that now feels dated. During campaigns, as Tocqueville wrote, "the whole nation glows with feverish excitement," and our last election -- during which this book was conceived -- was especially thrilling. Kloppenberg does not engage in overt political partisanship in his book, but his nearly unmitigated praise for Obama can be cloying. "Obama is," in Kloppenberg's estimation, "a shrewd and an unusually well-informed observer of American political life and the so-called culture wars of recent decades." As a student of history, "Obama has no illusions about the mid-twentieth century Democratic Party." At community organizing, he was a "genius." This portrait of Obama stands in marked contrast to Kloppenberg's contempt for the "discredited" Bill Clinton -- who in Kloppenberg's words "spent eight years 'triangulating'...and squandering the chance to...breathe new life into...American political ideals" -- even though Clinton and Obama resemble each other closely in their college and law school educations, their ideological (or post-ideological) commitments, their personal ambition, their penchant for compromise, and their attachment to neopragmatic ideas.

Kloppenberg's esteem for Obama leads him to over-value Obama as an intellectual. Here the praise strains credulity. He deems Obama's books "the most substantial books written by anyone elected president of the United States since Woodrow Wilson." Obama is credited with being "able to interrogate his own convictions -- to place them in a broader cultural and historical context by imaginatively scrutinizing them from a position centuries in the future -- without abandoning them, much as William James did." Of one excerpt from Obama's prose, Kloppenberg writes that "neither Madison nor Jefferson, neither James nor Dewey...could have said it better." Kloppenberg routinely presumes Obama to be "immersed" in the current intellectual debates of Harvard Law School, "wrestling with texts such as Nietzsche's Beyond Good and Evil," and "probing the arguments in [Walter] Lippmann's Drift and Mastery." Isn't it possible that Obama, like a lot of us who loaded up on humanities courses in college, left a few classic works on his shelves with their spines uncracked? Besides, does undergraduate and graduate reading really make one a full-fledged philosopher?

Kloppenberg has committed a category mistake. He asserts that besides being a politician, "Obama is also very much an intellectual." But while Obama is obviously smart and has strong intellectual tendencies, I do not believe that he can comfortably be awarded that label. Few politicians can. Jefferson, Adams, and Madison certainly warrant the term, anachronistic though its application would be; and a century later Wilson, a renowned political scientist, deserved it, as (perhaps) did his prolific and erudite contemporary Theodore Roosevelt. But most of the highly educated, well-read, brainy politicians of our own time -- Obama, Clinton, Gore, Gary Hart -- are cut of different cloth. They have traveled in the world of ideas, consorted with intellectuals, in some cases written books, in some cases taught at universities. They may even think about political philosophy. But everything they wrote -- everything they thought -- was necessarily refracted through the prism of electoral politics. There is nothing shocking or shameful about this, but it is not how intellectuals proceed.

Even Obama's memoir, whatever its literary merits, was not conceived in political innocence. When Obama wrote it, he was already telling reporters that he planned a career in elective office. Similarly, The Audacity of Hope -- the promotional tour took Obama to New Hampshire, triggering a nationwide craze of "Obamamania" and launching his presidential bid -- may be thoughtful, well-written, and better than most campaign books. But it is thoroughly strategic. "Audacity," the journalist Andrew Ferguson judged, cuttingly but not unfairly,"is an infinitely weaker, duller book than its predecessor, and its single interesting revelation is unintentional:...we have lost a writer and gained another politician." I am not suggesting that Obama's writings are unworthy of intellectual respect. Political documents, too, can reflect non-political influences and withstand close readings. But to elevate Obama's writing and thinking into the high stream of American intellectual history is untenable.

As Kloppenberg rightly notes, Obama (like all of us) is the product of not simply a history of ideas but also a history of our polity. Understandably, he does not delve into this topic very deeply in Reading Obama, but he does give some hints as to his own interpretation of recent politics. Reagan's election in 1980, he suggests, initiated what he considers a sharp and lasting break from the robust liberalism of the New Deal and the Great Society. Since then, Kloppenberg states, key progressive ideas such as the graduated income tax and government regulation of the economy have fallen into "bipartisan" disrepute. Although this characterization of the Democrats' post-1980 priorities does not quite ring true -- Clinton, for example, spent considerable political capital restoring some progressivity to the tax code -- the larger problem is that the collapse of the political program that Kloppenberg supports coincided almost perfectly with the rise of the intellectual philosophy that he champions. In his telling, the decline of liberalism in national politics corresponds with the emergence of pragmatic and civic republican ideas. This is hardly to suggest that pragmatism led to the demise of New Deal liberalism, but it does further complicate the already thorny relationship between academic ideas and political practice.

Although Kloppenberg spends relatively little time presenting his own political beliefs, he is most certainly "a man of the left," to use a term that he applies to Obama. When he criticizes Obama, it is almost exclusively for adopting centrist or conservative policies -- escalating the Afghanistan war, using drones in Pakistan, and hiring Wall Street-friendly economic advisers such as Tim Geithner. These choices do not necessarily violate Jamesian pragmatism, of course -- but they do deviate from what you would expect from a leftist.

Kloppenberg might counter that these deviations of Obama's represent not the legacy of James and Dewey but merely the "vulgar pragmatism" -- the crude choice-making of everyday politics -- that he takes pains to separate from the Jamesian-Deweyan tradition. Yet it is unclear what the Jamesian-Deweyan tradition would instruct a president to do about financial reform or Islamist terrorism. Kloppenberg seems to want it to point to decisions that he himself could readily endorse: there is an implication, never stated outright, that it should yield progressive politics, maybe like John Dewey's. At other times, however, Kloppenberg insists that pragmatism offers no clear policy paths. Quoting James, he calls pragmatism "a method" that "stands for no particular results. It has no dogmas, and no doctrines save its method." On this reading, Jamesian ideas cannot, without some other prior principles, reliably lead us to the left-liberal politics that Kloppenberg would like to see. It may well be, as Sidney Morgenbesser once joked, that the only problem with pragmatism is that it is "completely useless."

Not only is pragmatism unable to produce a political program by itself, it also may be partly responsible for Obama's continuing difficulty, more than two years into his presidency, in presenting the pattern of principled consistency that we crave from our presidents. Franklin Roosevelt's New Deal has often been called pragmatic for its shamelessly experimental style, as FDR tried out many different ways (sometimes simultaneously) of stimulating the economy, organizing business, producing jobs and succoring the poor during the Depression. But for Roosevelt the first principles of using government to forge a more just society in the form of a mixed-economy welfare state were always fairly evident. Kloppenberg shrewdly insists that for Obama compromise and a commitment to comity are "a sign of principle," but those are a contentless sort of principle. It is less clear what this president's first principles are regarding, say, economics or foreign policy.

The pragmatic turn in the academy has been valuable in opening up new channels of inquiry and upsetting pat narratives, but if pragmatism has had any appreciable impact in the political realm, it has probably been to weaken the articulation of traditional liberal tenets. (Self-styled education "reformers," for example, many of them on the left, now relentlessly stress outcomes over the intrinsic virtues of the life of the mind that liberals once used to proudly defend.) That impact should not come as a surprise. Politicians and intellectuals are different beasts. Their jobs are different and they think differently. Intellectuals, even the engage ones, operate with a critical distance in assessing the world and events that politicians do not enjoy; they are free to argue -- they are expected to argue -- whatever they believe. No politician, not even a refreshing and relatively forthright one, not even Barack Obama, can ever do that.

If problems arise when we try to turn politicians into intellectuals, they also emerge when intellectuals give themselves over to politics. What cause has not at some point expediently -- or should we say pragmatically? -- been justified by arguments, presented in petitions, signed by academic luminaries, that are owed more to political passion than intellectual consistency? To sign on to political causes risks tarnishing the intellectual's enterprise. Yet neither can intellectuals take comfort in sitting on the sidelines. From George Bancroft to Charles Beard to Arthur Schlesinger, Jr., historians, as much as any group, have enjoyed a proud and distinguished tradition of political involvement and journalistic commentary on public affairs. Bringing the insights of scholarship to bear on current events without bending interpretations of the past to meet the perceived needs of the present is a delicate, and worthy, task.

Of course, intellectuals, too, have the right, indeed the obligation, to make some contribution to the effort to improve the country or the world. Joined in one person, the role of the intellectual and that of the practical politician are not fully discrete identities. But there are important differences, and they should be accorded enough respect for us to judge both the politician and the intellectual by the standards of their respective realms.

David Greenberg, a contributing editor, is a professor of history and of journalism and media studies at Rutgers University. He is a fellow at the Woodrow Wilson Center for 2010-11.

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