Google Search

Showing posts with label Author. Show all posts
Showing posts with label Author. Show all posts

Sunday, September 29, 2013

Marcella Hazan, famed cookbook author, dies

9 Let friends in your social network know what you are reading about

A link has been posted to your Facebook feed.

A link has been sent to your friend's email address.

LONGBOAT KEY, Fla. (AP) — Marcella Hazan, the Italian-born cookbook author who taught generations of Americans how to create simple, fresh Italian food, died Sunday. She was 89.

Hazan died in the morning at her home in Florida, according to an email from her son, Giuliano Hazan, and posts on Facebook and Twitter from her husband and daughter-in-law.

Hazan was best known for her six cookbooks, which were written by her in Italian and translated into English by Victor, her husband of 57 years. The recipes were traditional, tasty and sparse — her famous tomato sauce contained only tomatoes, onion, butter and salt — and mirrored the tastes of her home country, where importance is placed on the freshness of food, rather than the whiz-bang recipes inside a chef's mind.

She eschewed the American-style Italian food that suffocated mushy pasta in grainy meatballs and tasteless cheese. She begged home cooks to use more salt and once wrote that if readers were concerned about salt affecting one's life expectancy, to "not read any further." On the topic of garlic, Hazan took a sharp view.

"The unbalanced use of garlic is the single greatest cause of failure in would-be Italian cooking," she wrote in her 2004 cookbook Marcella Says... ''It must remain a shadowy background presence. It cannot take over the show."

Marcella Pollini was born in 1924 in Cesenatico in the Emilia-Romana region of Italy. She didn't intend to be a professional cooking teacher or author; she graduated from the University of Ferrara with a doctorate in natural sciences and biology.

But then she met Victor Hazan, who was born in Italy but raised in New York. The couple married in 1955 and moved to the U.S., and she realized she needed to feed her husband, who longed for the flavors of Italy. One year, she went to take a Chinese cooking class, but the instructor canceled the class; the other students decided they wanted Hazan to teach them to cook Italian food.

So she began offering cooking classes from her New York City apartment. Those classes blossomed into a lifelong business of teaching. She and Victor opened a cooking school in Bologna, then in Venice, where classes took place in a 16th century palazzo with a custom designed kitchen.

Hazan gave birth to a son, Giuliano, in 1958. He shared his parents' love of food and also became a cookbook author. Giuliano and his wife run a cooking school in Verona. He also makes frequent visits to the Today show, teaching his mother's recipes. Earlier this year, Giuliano Hazan published Hazan Family Favorites, drawing on his memories of his parents and grandparents and the food they ate for decades.

"The world of cooking has lost a giant today," daughter-in-law Lael Hazan tweeted Sunday afternoon.

It was Hazan's 1973 cookbook, The Classic Italian Cookbook, that led gourmands to draw comparisons between Hazan and another larger-than-life cookbook author: Julia Child.

The two women were longtime friends; Child told People Magazine in 1998 that Hazan was "forbidding because she's rough ... that's her manner, and she's got a good heart."

In 2000, Hazan was awarded the James Beard Foundation Lifetime Achievement Award.

Marcella and Victor Hazan retired to a condo on Longboat Key, Fla., in the late 1990s. There, the couple renovated the kitchen, which overlooked the languid blue waters of the Gulf of Mexico. Punctuated by calls and visits from fans and reporters — and occasionally making appearances in her son's cookbooks and at cooking classes in the northeast — Hazan returned to the thing she loved doing most: cooking for her husband.

On Sunday, Victor Hazan wrote on Facebook: "Marcella, my incomparable companion, died this morning a few steps away from her bed. She was the truest and best, and so was her food."

In 2004, Marcella Hazan wrote, "Simple doesn't mean easy. I can describe simple cooking thus: Cooking that is stripped all the way down to those procedures and those ingredients indispensable in enunciating the sincere flavor intentions of a dish."

Hazan said the Roman dish spaghettini aio e oio — thin spaghetti with garlic, oil, parsley, chili pepper and nothing else — embodies the simple-yet-complex nature of Italian food. Dishes should nourish and please, she added, not "dazzle guests with my originality or creativity."

"I am never bored by a good old dish and I wouldn't shrink from making something that I first made fifty years ago and my mother, perhaps, fifty years before then," she wrote. "I don't cook 'concepts.' I use my head, but I cook from the heart, I cook for flavor."

Copyright 2013 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


View the original article here

Sunday, March 31, 2013

Author Karen Russell on vampires, addiction and literary tattoos

A link has been posted to your Facebook feed.

A tweet has been posted to your Twitter account.

A link has been sent to your friend's email address.

Karen Russell's new short story collection is titled 'Vampires in the Lemon Grove.'

Karen Russell's fiendishly titled new short-story collection, Vampires in the Lemon Grove, follows her Pulitzer Prize-nominated debut novel, Swamplandia!, and her first collection, St. Lucy's Home for Girls Raised by Wolves, published when she was 25. Hailed as a "Young Lion" by the New York Public Library and named to The New Yorker's "20 Under 40" list of authors, Russell confessed to Bookish that her real ambition is to make the "85 Writers Who Are Still Lucid at 85" list.

The stories in Vampires are full of war, recovery from addiction, women who've turned into silkworms and, yes, bloodsuckers (but they've gone clean). Here, Russell reveals how "mucking around in the swampy mangrove forest" near her childhood home in Miami and reading everything from Jack London to The Grapes of Wrath shaped her as a writer of "magical thinking" fiction. By the way, she's over swamps: She tells us her next novel will be set in a dustbowl "wasteland."

Bookish: Which author or book most profoundly shaped you as a writer? Is there one writer you're guided by as a pole star?

Karen Russell: I always get tongue-tied when I have to choose a single book or author. As a younger reader, I loved Jack London, Ray Bradbury, Tolkien, the Narnia books, A Wrinkle in Time. I remember reading books like The Grapes of Wrath and The Heart is a Lonely Hunter on long car trips, probably understanding only every third word--exactly what I gleaned from those classics is hard for me to pinpoint now in retrospect, but I do remember feeling that my "real" life was my reading life--a secret life, an interior world made in collaboration with these authors, impenetrable to any outside observer. Traveling to Ray Bradbury's Martian cities felt much more memorable than my trips to buy Keds at the Dadeland Mall in Miami.

And, Flannery O'Connor's wickedly wise sensibility is a terrific pole star.

Bookish: In the title story of your new collection, Vampires in the Lemon Grove, Clyde and Magreb are two vampires who have sworn off the red stuff and who soothe their "throbbing fangs" with the juice of lemons. Are we all just vampires in the lemon grove, suppressing our desires?

KR: Ha! Well, I do think there's something to that "noble truth" business…. I think part of the power of the figure of the monster (and of the vampire in particular) is that we can all recognize and relate to the horror of compulsion, of enslavement to craving--the living death of addiction, loneliness and thirst. Even if you don't think of yourself as a vampire in recovery, I'd guess that you have some experience with an ungovernable desire. And I think those lemons were my silly way of representing the bitter relief of a temporary fix for an endless longing.

BOOKISH: Jamaica Kincaid on writing and 'Outlaw American' culture

BOOKISH: Review roundup: 'The Storyteller,' by Jodi Picoult

Bookish: Your story, "Reeling for Empire," is about a group of women in turn-of-the-century Japan who are imprisoned in a silk factory and literally turned into silkworms. How did you come up with the idea of women being forced to grow silk in their bellies?

KR: It's hard for me to reconstruct exactly where that nightmare picture came from. I had been reading David Graeber's Debt, one section of which discusses female debt slavery; and John Tresch's The Romantic Machine, which got me thinking about man-machine hybrids. Then, I became fascinated with Meiji-era Japan, a period when the entire country was undergoing a violent metamorphosis from isolated feudalism to its modern form. Model mills imported Western-style technologies, and female workers left their home villages and towns to work as silk and cotton reelers.

I do remember looking at pictures of silkworms and thinking how frightening it would be to have one's selfhood erased by white fur, to become converted from an individual--a human woman with a unique history--into part of the factory machinery.

In this story, Kitsune's silk thread is a greeny-black manifestation of her grief, her regret. I often feel that certain emotions have an almost physical weight, like a rock in the gut. So, it wasn't such a stretch to imagine a memory or an emotion silking through these women's bodies and stiffening into the thread.

Bookish: Many have called your writing "magical realism," but that term can seem lighthearted--there is a death in nearly every story in "Vampires." How do you describe your work?

KR: I think that I am actually getting worse at describing my work. Less and less do I feel like I have the right distance from these recent stories to know exactly how to categorize them. I do agree that "magical realism" might not be quite the right term, since it suggests to me a hard and fast distinction between the "real" world and "magical" zones, a line that is continually effaced in the fiction I best love (Juan Rulfo's Pedro Paramo, Calvino, Borges, Kafka, Kelly Link, Kevin Brockmeier, etc). In my experience, there is no single, fixed reality--the present moment is always slippery, always filtered through one's own dreams and terrors. Which can imbue even the most "mundane" Tuesday train ride with a supernatural tinge.

Maybe what I'm writing is "magical-thinking" fiction--so many of my characters are lost in some kind of profound blind spot. They struggle to decipher their role in the disasters that befall them, or the mysteries unfolding in their own backyards. In Swamplandia!, for example, Ava desperately needs the Bird Man to be a Charon-figure, an adult guide to the underworld. Beverly in The New Veterans badly wants to be a healer, to feel that she is doing something selfless and noble--to be a powerful agent in Sergeant Zeiger's recovery. And that desire colors her perception of every interaction that she has with him, down to the feeling of the soldier's skin under her hands.

BOOKISH: The Onion reviews 'Fifty Shades,' 'The Art of War,' 'Twilight' and more

BOOKISH: Lemony Snicket reveals how writing got him in trouble

Bookish: Like Ava in your first novel, Swamplandia!, many of your characters are kids struggling with growing up. How was your development as a writer affected by your own childhood?

KR: I think that a South Florida childhood is great training for a fiction writer. In some ways, you could say that Florida is a magical-realist state--impossible, bizarre things happen everyday. The Miami Seaquarium, with its killer whales and circus dolphins, is a block away from the canned pineapples on special at the Publix grocery store.

And, childhood continues to fascinate me--the passage from childhood to adulthood is such a private, intensely felt, halting and painful and exciting journey. (Even though, like the distinction between fantasy/reality, I think the childhood/adulthood binary is pretty bogus--what adult do you know who does not still have all of her ages rattling inside of her at once, Russian-nested-doll style?). I'm not sure if I can give you an honest and succinct reason here for why I keep returning to that threshold in fiction. I do think that a Miami childhood is one-of-a-kind: So many of my friends and neighbors were first- or second-generation immigrants, and I often felt that we were all navigating a new world together. I was also an anxious kid, a loner, and I spent hours mucking around in the swampy mangrove forest near our house, or riding my bike through the Everglades Lite that is Matheson Hammock, a man-made lagoon near Biscayne Bay in urban Miami.

Miami's weird and watery settings are all well-suited to stories about adolescence, I think. You really couldn't ask for a better landscape to stage a coming-of-age story. I think the central drama of a lot of my fiction revolves around "seeing"--a character, often a child, trying to reconcile contradictions between what they are being told and what they are learning to be true-trying to get their bearings in some swampy subjective territory.

BOOKISH: Essential Reads: Modern Short Stories

Bookish: You were named to the National Book Foundation's "5 Under 35" and the New Yorker's "20 Under 40" lists. Is the book world obsessed with youth, like other spheres? What other category of writer would you like to be included in?

KR: You know, those lists really put one in mind of one's own mortality. I'm hoping to make the "85 Writers Who Are Still Lucid at 85" list. I think it's excellent that the National Book Foundation and the New Yorker want to support younger writers--that support came at a crucial time for me, when I was in my mid-20s and wrestling with Swamplandia! One of the things I love about the book world, especially as I gallop into my 30s, is that an author's age matters so much less than it does in other industries. We've got at least that leg up on catwalk models and pro athletes.

I do wish that these lists and awards would drop the age cut-offs, which can feel pretty arbitrary. Authors begin their careers at every age. Ben Fountain was a debut author in his late 40s, and a debut novelist at 50. Robin Black published her phenomenal debut story collection, If I Loved You, I Would Tell You This, in her late 40s, after raising three kids.

Bookish: In your story "The New Veterans," a masseuse working with traumatized soldiers accesses a soldier's pain through the vibrant tattoo on his back. If you got a literary tattoo, what would it be?

KR: My best friends and I just barely avoided getting matching e.e. cummings tattoos in high school. Speaking of age, I think I may have aged out of the possibility of getting a fabulous literary tattoo. Although, I love stories about tattoos--"The Illustrated Man" and "Parker's Back." If Odilon Redon, channeling Poe, had some mobile time-traveling tattoo shop and you could get one of his landscapes on your back, I would go there.

Bookish: Are you working on another novel? Can you give us any hints about what we have to look forward to in your next book?

KR: In my honeymoon phase of writing this new book, I was blabbing about it to strangers on the Megabus, but now I've grown slit-eyed and wary--wary of the jinx. So, it's probably safest not to say too much. It's set during the Dust Bowl drought. I'm trying for a wasteland with some colorful personalities.

--

This article originally appeared on Bookish.com.

BOOKISH: Discover books on Bookish


View the original article here

Wednesday, January 2, 2013

E.L. James is USA TODAY's author of the year

E.L. James, author of the 'Fifty Shades of Grey' phenomena, is USA TODAY's author of the year. (Photo: Michael Lionstar)

Monday, August 20, 2012

‘KP2’ forms bond between seal, author

By Terrie M. Williams Publisher: Penguin Press

If you're a sucker for a good animal story, or just a sweet face, for that matter, The Odyssey of KP2 might work for you.

KP2 is no ordinary Hawaiian monk seal, of course. Attacked by a male seal, possibly his father, when he was only 2 days old — an attack witnessed by group of islanders — the orphaned pup sets out on a journey told here with love by renowned wildlife biologist Terrie M. Williams.

"The little black pup who'd been abandoned on a lonely Kauai beach would beome an icon, a rogue and a threat," she writes. "The survival of an entire species would one day come to rest on his small and once discarded shoulders."

Only 1,100 such tropical seals currently swim around the Hawaiian Islands, making the seals the most endangered marine mammal in American waters. A viral epidemic that almost wiped out European harbor seals at the end of the last century, for example, would be catastrophic to the Hawaiian monks.

Williams arrives in Hawaii in 2009 to find KP2 already a local celebrity — with YouTube videos of his own and eventually a Facebook page — a wild seal who refuses to lead a seal's life, returning to the same beach over and over to entertain humans.

Do you feel a movie coming on?

Williams and the pup bond, becoming kindred spirits while she and volunteers frantically attempt to save him and his species. Will he gain weight? Will he swim? Is he blind? The questions keep coming.

"I soon had the strange feeling that this little monk seal was following me," Williams writes. She was right. The problem was the seal needed to be removed from potentially dangerous interactions with humans.

Williams eventually wins over detractors and takes him away from his natural habitat to her California lab.

"The troublemaker seal with a fondness for people was the one Hawaiian monk seal we could study in detail." And so she did, knowing that he could teach her enough to understand the seal's biology so it could be used to better its chances of survival.

What eventually happens to KP2 will be unveiled to those interested enough to wade through the almost 300 pages. Considering what could have happened, it's a happy ending.


View the original article here

Thursday, July 12, 2012

New Voices: Author Karen Thompson Walker

Karen Thompson Walker's The Age of Miracles (Random House, $26) is set in a once-placid California suburb facing solar radiation, dying species, failing crops and social disintegration after Earth's rotation slows.

Ramin Talaie

Why it's notable: The book sold for a reported seven figures, and it's been optioned for the movies and has earned early rave reviews.

Memorable line: "We were here."

Quick bio: Walker, 32, a resident of Brooklyn, N.Y., grew up in San Diego. She worked in book publishing while writing her first novel.

Real-life inspiration: "In 2004, shortly after the earthquake that caused the tsunami in Indonesia, I read that the earthquake was so powerful that it had affected the rotation of the earth, shortening our 24-hour days by a fraction of a second. I was really stunned by that news, by the idea that something I had always taken for granted — the steady rising and setting of the sun — was actually in flux."

On the threat of "the big one": "Sometimes I think I might not have written The Age of Miracles if I hadn't grown up in California, if I hadn't been exposed to its very particular blend of beauty and disaster, of danger and denial."

On the popularity of end-of-the-world scenarios: "My own pet theory is that there's actually a certain kind of unexpected pleasure in reading about a world radically altered by disaster. In these kinds of stories, a lot of the ordinary things we take for granted have fallen away — food in the grocery stores, hot showers, the predictable rising and setting of the sun. … As a result, all of the ordinary things begin to look a little miraculous. There's a pleasure in being reminded of the value of ordinary life."

For more information about reprints & permissions, visit our FAQ's. To report corrections and clarifications, contact Standards Editor Brent Jones. For publication consideration in the newspaper, send comments to letters@usatoday.com. Include name, phone number, city and state for verification. To view our corrections, go to corrections.usatoday.com.

View the original article here

Saturday, June 2, 2012

Hot summer author: Stephen Carter

What if John Wilkes Booth failed in his assassination attempt — and Abraham Lincoln recovered, only to face an impeachment trial? That's the intriguing premise of The Impeachment of Abraham Lincoln, Stephen Carter's courtroom drama featuring a determined young African-American heroine.

Stephen Carter is a Yale Law School professor an author of a number of best-selling novels. By Robert Deutsch, USA TODAY

Stephen Carter is a Yale Law School professor an author of a number of best-selling novels.

By Robert Deutsch, USA TODAY

Stephen Carter is a Yale Law School professor an author of a number of best-selling novels.

The book:

The Impeachment of Abraham Lincoln: A Novel

By Stephen Carter

Knopf, $26.95

Why it's hot: Books about Lincoln's assassination still fascinate — see Bill O'Reilly's best seller. In his new novel, Carter draws on his expertise both as constitutional scholar and as the author of four best-selling thrillers including The Emperor of Ocean Park.

A taste: "He had been shot on Good Friday. On Easter Sunday, he had risen. By the middle of the week, the President was sitting up, meeting with his staff, once again in charge of the affairs of the nation."

On sale: July 10

The author

Quick bio: A professor at Yale Law School since 1982, Carter, 57, has also written eight non-fiction books, most recently The Violence of Peace: America's Wars in the Age of Obama. He and his wife have two grown children.

His inspiration: The idea of writing a "what if" Lincoln book has been in "the back of my head" since Carter was an undergrad. The man from Springfield has fascinated Carter since elementary school when he would flip through his father's copy of Carl Sandburg's multi-volume Lincoln biography. Today Carter has a bookshelf filled with Lincoln books in his Connecticut house.

Lincoln impeached? On what grounds? Lincoln is our greatest president, says Carter, "but because he faced a greater crisis than any other president, he did things that, in the light of history, don't look very good." Things such as suspending habeas corpus, shutting down newspapers and putting northern cities under martial law.

Would Lincoln have succeeded in politics today? "Not a chance. He would been been dismissed as uneducated and too folksy. He was not very telegenic and had a funny voice."

Any plans to see the summer movie Abraham Lincoln: Vampire Hunter? "I don't know. It sounds like enormously silly fun," but he doubts his wife will agree.

Up next: A historical novel about the Cuban missile crisis.

His summer reading:An Economist Gets Lunch: New Rules for Everyday Foodies by Tyler Cowen; Attica Locke's The Cutting Season, a mystery set in Louisiana; and

Bourgeois Dignity: Why Economics Can't Explain the Modern World by Deirdre McCloskey.

E-books or print? "I read mostly print. I love the feel of the books."

For more information about reprints & permissions, visit our FAQ's. To report corrections and clarifications, contact Standards Editor Brent Jones. For publication consideration in the newspaper, send comments to letters@usatoday.com. Include name, phone number, city and state for verification. To view our corrections, go to corrections.usatoday.com.

View the original article here

Thursday, May 31, 2012

Hot summer author: Larry Tye

In his new book Superman, Larry Tye has written a cultural biography of the Man of Steel, covering the many movie and TV adaptations and the unresolved legal battles between heirs of the creator, Jerry Siegel, who died in 1996, and DC Comics.

Larry Tye writes about the history of Superman in his new book. Josh T. Reynolds, for USA TODAY

Larry Tye writes about the history of Superman in his new book.

Josh T. Reynolds, for USA TODAY

Larry Tye writes about the history of Superman in his new book.

The book:

Superman: The High-Flying History of America's Most Enduring Hero

By Larry Tye

Random House, $27

The book

What's it about: A cultural biography of the Man of Steel, the numerous adaptations, and the unresolved legal battles between heirs of the creator, Jerry Siegel, who died in 1996, and DC Comics.

Why it's hot: Superman, who burst into print in 1938, remains hot: The same day Tye's book is released, an animated film, Superman vs The Elite, hits theaters (a coincidence, he says). Coming in June 2013 from Warner Bros.: Man of Steel with British actor Henry Cavill as Superman, Russell Crowe as his Kryptonian father, and Kevin Costner and Diane Lane as as his earthbound parents.

A taste: "The most enduring American hero is an alien from outer space who, once he reached Earth, traded in his foreign-sounding name Kal-El for a singularly American handle: Superman."

On sale: June 12

The author

Quick bio: Tye, 57, a former reporter for The Boston Globe, The (Louisville) Courier-Journal and The Anniston (Ala.) Star, has written four other books, including bios of baseball legend Satchel Paige (Satchel) and public relations pioneer Edward Bernays (The Father of Spin) and was co-author with Kitty Dukakis of Shock: The Healing Power of Electroconvulsive Therapy. He lives in Lexington, Mass., with his wife, Lisa, and two children, 19, and 17, his "in-home experts on comics and kids."

Fun fact: Tye has his own red cape, emblazed with a L (for Larry), a gift on the 10th anniversary in 2011 of a fellowship program he runs to help reporters improve their coverage of health care.

On Superman's enduring appeal: "Part of it is the irresistible allure of taking flight. Part of it is the seduction of the love triangle and his secret identity. Part of it is just being 10 years old again. The more that flesh-and-blood role models let us down, the more we turn to fictional ones who stay true."

Biggest surprise: "How brilliant writers and screenwriters have been over the years in inventing and reinventing Superman. I expected to be cynical, but I was inspired."

Up next: A biography of Robert F. Kennedy, the New York senator assassinated during his 1968 presidential campaign.

His summer reading: "For pleasure and work," David Rowell's 2011 novel, TheTrain of Small Mercies, inspired by 1968 photographs of crowds who gathered from New York to Washington as the train carrying RFK's body passed by.

E-books or print? "Print, definitely. As an old newspaper guy, holding what I'm reading is part of the joy."

Contributing: By Bob Minzesheimer

For more information about reprints & permissions, visit our FAQ's. To report corrections and clarifications, contact Standards Editor Brent Jones. For publication consideration in the newspaper, send comments to letters@usatoday.com. Include name, phone number, city and state for verification. To view our corrections, go to corrections.usatoday.com.

View the original article here

Tuesday, May 29, 2012

Hot summer author: Laura Moriarty

In 1922, Louise Brooks, the Kansas teenager who will be transformed into a star of the silent screen, travels to New York for dance lessons accompanied by Cora Carlisle, a middle-aged chaperone who has hidden motives for taking the trip. That's the story behind Laura Moriarty's new summer novel, The Chaperone.

She's not in Kansas anymore: Lawrence resident Laura Moriarty goes to 1920s New York with Louise Brooks in her fourth novel, The Chaperone. By Earl R. Richardson, for USA TODAY

She's not in Kansas anymore: Lawrence resident Laura Moriarty goes to 1920s New York with Louise Brooks in her fourth novel, The Chaperone.

By Earl R. Richardson, for USA TODAY

She's not in Kansas anymore: Lawrence resident Laura Moriarty goes to 1920s New York with Louise Brooks in her fourth novel, The Chaperone.

The book:

The Chaperone

by Laura Moriarty

Riverhead, $26.95

Why it's hot:Downton Abbey's Elizabeth McGovern narrates the audiobook and will star in the film version.

A taste: "The remarkable black hair, shiny and straight and cropped just below her ears, the ends tapering forward on both sides as if forming arrows to her full lips. A smooth curtain of thick bangs stopped abruptly above her brows … really, this girl looked like no one else."

On sale: June 5

The author

Quick bio: Moriarty, 41, who teaches creative writing at the University of Kansas, lives in Lawrence with her husband, Ben Eggleston, a professor of philosophy, and their daughter, Vivian, 8. The Chaperone is her fourth novel.

Fun fact: The chaperone in this novel is named Cora, just like the character McGovern plays on Downton Abbey. "I hadn't seen Downton Abbey when I was writing it, and I think I might have changed the name if I'd known. It's just a coincidence, and I wonder if they'll change it for the movie so people don't get mixed up."

On McGovern in the movie adaptation: "I've always really liked her, and like everyone else I'm a huge Downton Abbey fan. In a lot of ways it's similar to the character she plays because it's a similar time period, but this Cora is so different from that Cora. That Cora grew up in wealth and lives in England. This Cora is very much a Midwesterner with humble roots."

On how she came to write about Louise Brooks: "I knew her personality was very vibrant and that she was difficult, self-destructive in a lot ways and smart and interesting. But when I had read she had left Wichita at 15 with a chaperone I started thinking, 'I wonder if I could write a novel about that.' "

On Brooks' signature look: "She had the bangs, the real Buster Brown, and I think with her features and how she looked, it was just completely striking to the point where if she changed it she wouldn't really look like herself."

Up next: Moriarty is doing research for a new novel, this one set in the 1930s.

Her summer reading: "I'm going to reread Baby Jesus Pawn Shop by Lucia Orth. It's a little bit like The Chaperone in that it has a fictional character and a real historical backdrop. It takes place in the Philippines in the 1980s."

E-books or print? "I don't have an e-reader yet. I'm still reading books and don't know when I'll make the jump. I do listen to audiobooks. I love to listen to a book when I'm walking in the woods when they have a wonderful narrator."

Contributing: By Carol Memmott

For more information about reprints & permissions, visit our FAQ's. To report corrections and clarifications, contact Standards Editor Brent Jones. For publication consideration in the newspaper, send comments to letters@usatoday.com. Include name, phone number, city and state for verification. To view our corrections, go to corrections.usatoday.com.

View the original article here

Monday, May 28, 2012

Five questions for author Justin Halpern

Justin Halpern, 31, author of the 2010 best seller Sh*t My Dad Says, talks to USA TODAY about his second book, I Suck at Girls (It, $16.99).

Does the title 'I Suck at Girls' describe author Justin Halpern? By Matt Hoyle

Does the title 'I Suck at Girls' describe author Justin Halpern? "When I was young. But now I'm married."

By Matt Hoyle

Does the title 'I Suck at Girls' describe author Justin Halpern? "When I was young. But now I'm married."

1. For those who prefer not to use the word suck, as you do, is there an euphuism you can suggest for your title?

How about "I Stink at Girls"?

2. Do you?

I did when I was young. But now I'm married. So hopefully, I don't. Maybe you should ask my wife.

3. What does she think of the new book?

She liked it, except she doesn't like stories from when I was dating other women.

4. And is your dad still your first reader?

Always. He has no problem at all telling me if he thinks something I wrote is terrible.

5. Sh*t My Dad Says flopped as a TV show. What are the prospects of I Suck at Girls as a TV series?

We'll see if the option (bought by Warner Bros.) gets picked up. And if it does, this time it won't be a sitcom with a live audience. I'd like it to be more like The Wonder Years. As a kid, I loved that show.

For more information about reprints & permissions, visit our FAQ's. To report corrections and clarifications, contact Standards Editor Brent Jones. For publication consideration in the newspaper, send comments to letters@usatoday.com. Include name, phone number, city and state for verification. To view our corrections, go to corrections.usatoday.com.

View the original article here

Wednesday, May 23, 2012

'Wild Things' author Maurice Sendak dies

In the world of children's picture books, where cute and cuddly know few limits, Maurice Sendak was neither.

Maurice Sendak at home in Ridgefield, Conn., in 2005 with his dog, Herman. By Todd Plitt, USA TODAY

Maurice Sendak at home in Ridgefield, Conn., in 2005 with his dog, Herman.

By Todd Plitt, USA TODAY

Maurice Sendak at home in Ridgefield, Conn., in 2005 with his dog, Herman.

Sendak, the author and illustrator best known for his 1963 classic, Where the Wild Things Are, died Tuesday at 83 in Danbury, Conn., after complications from a stroke.

He leaves behind no survivors, just millions of readers from several generations who were amused, scared and inspired by his work.

"He was the pre-eminent children's book artist of the last half-century," says Leonard Marcus, author of Show Me a Story! Why Picture Books Matter. "He can be said to have been the first picture book artist to draw insight and inspiration from the work of Freud."

In his books, from In The Night Kitchen (1970), which shocked some by its youthful nudity, to Bumble-Ardy (2011), about an orphaned pig whose parents were eaten, "he showed, more candidly than any picture book artist had previously done that young children are a tangle of vulnerability and resilience," Marcus says. "And his books continue to show children that their resilient side can win out."

Lisa Von Drasek, director of the Center for Children's Literature at Bank Street College of Education in New York, says: "Sendak smashed the perception of childhood as a time of pleasantness, a time of unicorns and rainbows, sweetness and light. He appalled the 'gatekeepers' of the time who said he was too scary."

But, she says, "his joyful sketches reflect everyday childhood."

Sendak called Max, the mischievous boy who imagines a land of monsters in Wild Things, "a rotten kid."

Which is part of the appeal. Author Dave Eggers, who worked with Sendak on the 2009 film adaptation of Wild Things, recalls his mother reading the book to him when he was a toddler: "I was really scared by it. I was used to tidier narratives with a clear message of who's good and who's bad. But Sendak's monsters weren't simple or cute."

At 7, Eggers started "writing and illustrating my own stories, and they involved a boy who befriended monsters who were misunderstood. I was always into monsters, but nobody did them better than Sendak."

Parents and other readers reacted on Facebook and Twitter:

Uhura Russ: "R.I.P. Maurice Sendak!!! A joy to read your books during my childhood and a joy to see you on the Colbert Report in my adulthood!"

Diana Abu Jaber: "My toddler went as Wild Thing for Halloween. She perfected her roar. To our dismay."

Chuy Gonzalez: "I was a little boy 35 years ago. … I was scared and drawn to Where the Wild Things Are at the same time. It's probably the only book I remember fondly from my youth."

Tom Romano: "Where the Wild Things Are helped get me through an abusive childhood. I escaped repeatedly to Sendak's magical land where I could be King."

The son of Jewish immigrants, Sendak said his earliest influences were the Holocaust and the 1923 kipnapping of Charles Lindbergh's infant son. "Here was a rich, gentile child, and he couldn't make it," Sendak said. "How was I, a poor Jewish child, going to manage?"

His first job in 1948 was as a 20-year-old window dresser at FAO Schwarz, the famous Manhattan toy store, which also sold books. He said he spent a lot of time reading while hiding in the back room.

But the manager recognized Sendak's artistic talents and introduced him to an "angel," Ursula Nordstrom, a children's book editor who worked with author Ruth Krauss. That is how Krauss spotted Sendak's artwork on Nordstrom's desk and how, in 1952, Sendak came to illustrate Krauss' A Hole Is to Dig.

It was Sendak's big career break and the start of a lifelong friendship with Krauss and her husband, illustrator Crockett Johnson (Harold and the Purple Crayon).

"They knocked all the conventional stuff out of my head," Sendak said. "They were the divine parents I wanted to have."

They also helped him with Where the Wild Things Are. "It was like Max was our love child," he said.

In person, he was gruff. At a 2005 interview at his home in Ridgefield, Conn., he introduced his German shepherd, Herman.

Named for Melville, one of Sendak's literary influences?

"Of course," Sendak shot back. "What did you think, Goering?"

He publicly acknowledged being gay only after the death in 2007 of his longtime partner, psychoanalyst Eugene Glynn.

He said he never wanted to be a parent: "I never wanted the obligations. I don't think I'd be good at it. I'd be in the studio too much, or I'd want to be in the studio … and how could you live with that kind of failure?"

For more information about reprints & permissions, visit our FAQ's. To report corrections and clarifications, contact Standards Editor Brent Jones. For publication consideration in the newspaper, send comments to letters@usatoday.com. Include name, phone number, city and state for verification. To view our corrections, go to corrections.usatoday.com.

View the original article here

Thursday, March 8, 2012

Author Lisa Yee embraces Linsanity

By Bob Minzesheimer, USA TODAY

Even novelists are jumping on the Jeremy Lin bandwagon.

Lin, the Harvard grad who's become a National Basketball Association sensation with the New York Knicks, has special meaning for Lisa Yee.

Yee is the author of Stanford Wong Flunks Big-Time, a 2005 basketball novel aimed at kids 9 and up and dedicated to Yee's dad, now 80, who played high school basketball in Seattle.

The novel is narrated by a sixth-grade Chinese-American basketball star who flunks English, despite being named for his dad's alma mater, Stanford, the Harvard of the West.

In an illustrated post on her website - lisayee.livejournal.com -- Yee, 52, notes that, "If I wrote Stanford Wong Flunks Big-Time, today, Stanford would have had a Jeremy Lin poster in his room, and a basketball hero who looked like him to aspire to. Although, unlike Jeremy, Stanford was not headed to Harvard ."

She adds, "Stanford believed that basketball is life-transforming, just as (another character in the novel) girl genius, Millicent Min, believed that books are. They are both right."

Yee, who lives in South Pasadena, Calif., see a larger meaning, beyond basketball, in Lin's sudden success: "It doesn't matter if Jeremy never wins another game, though I hope he does. In these past months with irate Americans mad at this and that, and various factions of country at each other's throats, we all stopped, for just a bit, to watch basketball, an all-American game.

"We stopped to watch a young man who pursued his childhood dream to play for the NBA, and against all odds, he made it. He is an inspiration to not only to Chinese Americans, Harvard grads, basketball boys and girls, and New Yorkers, but to anyone who has ever had a dream. Heck, if Lakers fans could root for a Knicks player, then anything is possible."


View the original article here